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Indigenous Media and Political Imaginaries in Contemporary Bolivia

机译:当代玻利维亚的土着媒体和政治想象

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摘要

Gabriela Zamorano Villarreal examines the political dimension of indigenous media production and distribution as a means by which indigenous organizations articulate new claims on national politics in Bolivia, a country experiencing one of the most notable cases of social mobilization and indigenous-based constitutional transformation in contemporary Latin America. Based on fieldwork in Bolivia from 2005 to 2007, Zamorano Villarreal details how grassroots indigenous media production has been instrumental to indigenous political demands for a Constituent Assembly and for implementing the new constitution within Evo Morales controversial administration.On a day-to-day basis, Zamorano Villarreal witnessed the myriad processes by which Bolivia’s indigenous peoples craft images of political struggle and enfranchisement to produce films about their role in Bolivian society. Indigenous Media and Political Imaginaries in Contemporary Bolivia contributes a wholly new and original perspective on indigenous media worlds in Bolivia: the collaborative and decolonizing authorship of indigenous media against the neoliberal multicultural state, and its key role in reimagining national politics. Zamorano Villarreal unravels the negotiations among indigenous media makers about how to fairly depict a gender, territorial, or justice conflict in their films to promote grassroots understanding of indigenous peoples in Bolivia’s multicultural society.
机译:加布里埃拉·扎莫拉诺·比利亚雷亚尔(Gabriela Zamorano Villarreal)考察了土著媒体生产和发行的政治意义,以此作为土著组织表达对玻利维亚国家政治的新主张的一种方式,该国正在经历当代拉丁语中最著名的社会动员和基于土著的宪法变迁之一美国。 Zamorano Villarreal基于2005年至2007年在玻利维亚的实地考察,详细介绍了基层的土著媒体制作如何帮助土著人民对制宪议会和在有争议的Evo Morales行政当局内部实施新宪法的政治要求。扎莫拉诺·比利亚雷亚尔(Zamorano Villarreal)目睹了玻利维亚的土著人民制作政治斗争和公民权形象的无数过程,以制作有关他们在玻利维亚社会中的作用的电影。当代玻利维亚的土著媒体和政治想像者对玻利维亚的土著媒体世界提出了全新的观点:土著媒体对新自由主义的多元文化国家的合作和非殖民化作者身份,及其在重新构想国家政治中的关键作用。扎莫拉诺·比利亚雷亚尔(Zamorano Villarreal)揭开了土著媒体制作人之间关于如何在影片中公平地描绘性别,领土或司法冲突的谈判,以增进基层对玻利维亚多元文化社会中土著人民的了解。

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